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Statement
“Non-imperial art is necessarily abstract art, in this sense: it abstracts itself from all particularity, and formalises this gesture of abstraction.”
“It is better to do nothing than to contribute to the invention of formal ways of rendering visible that which Empire already recognises as existent.”
Alain Badiou, 15 Theses on Contemporary Art
According to Islamic belief, human works of art are inherently flawed compared to the work of Allah, and an attempt to depict in a realistic form any animal or person is insolence to Allah. One possible conclusion from this is that artists must address through abstraction our sensory perception, which has been rendered as a dishonest shortcoming via our social malady.
If making the familiar unfamiliar is religious protest, then absurd poetry, if effective, can be a revolutionary & spiritual force.
To remind ourselves of what we’ve already been told is to limit ourselves to the narratives that comprise our lives. To complicate those notions is to suggest a realm outside of the dominated by falsities- a realm past reason into abstract possibility. In other words, to suggest something larger than common concept is to impede the terrorism of ideology.
When we believe ourselves to have total certainty of any concept or moment in our lives is precisely when we are furthest from comprehension. The goal of this chapbook is to expose domestic ills & suggest plausible retaliation. While reading, remember that there is not one line that connects us, but a 3-D web of power. “Life lessons” and “good advice” will shiver, then flake as civilizations morph past their own recognition.
The, maybe terrifying, maybe elating, truth is that abstraction is our only hope. This does not only apply to what is called art, but all things we create- from conversation to posture to slang to clothing.
Let’s maim defeatism & free a calamitous heaven.
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spectacle
tien is the ruin of me! tien is the ruin of me!
from The Analects of Confucius (11.9)
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diminished by increase
Day is severing fist;
nightly i dream unity of
meal, weather, posture.
But what is it
about fantasy, that swivles
blimp towards puncture,
marriage towards divorce,
insect towards trap?
Does it precede hubris?
A birthmark spells,
d.o.a. A volcano, defined
by eruption; my body
a liquid, defined by its container.
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dataphrenic
overheard, throughout
“i am safe now, the figure is full. / each cranial itch / is calculable. // bridge blueprints /
line my smacking lips- / solving equations / shifting my arm. // two points make a segment. / it’s
finite inside. / the ground is level & ready to build. // would you like to work tonight? / take
ecstasy with me / in artificial heat? / you’d love the band. / trust me, i am a studious man.”
​
nightwaste
litters the pavement cir
cumference of my bedr
oom, inven
ted privacy, a feather at win
d’s mercy & a wind whi
ch halts not for u
s, neither fluorescent li
ght nor academy stat
ue.
​
clasper
whoever invented
velcro
must have made a million
must have considered
suicide you ought to
incinerate
importance
it’s
inevitable
i wonder
what i will tell my daughter when
she says she loves me
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rot, aspire
drinking battery coffee as ego woolgathers boredom. i am both fast and slow. sappho and frank
ocean fuck along floor-to-ceiling windows in my envy. we don’t want to paint. we want to be
painters. Painters Catch Dimes Like Magnets! no one sweats at the gala. the room is dry enough
to use for paper, bright enough to doubt by. a genie told me this is where the books get paid. He
granted me three wishes and they were all to Disappear.
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sugar substitute
i know well what i am
to you:
barely past mannequin
rehearsal rehearsal
the vague weight
of your history
runs amok on splintered beam
i study paintings of peaches
i search for the line
down their bellies
i ponder voyage across
but i am a tangle of powder
in a neat body
a labeled bag
you saw the carton
you ate the egg
you grew furious
when yolk smeared your skin
left aspartame stains
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awol’d
In frame, a gag written skyward, too toothed to ignore. Sideways quagmire run amok, as the hex
of sight wrings gallons of useless orange- not quite embers, not quite fruit. I’ve described my
body into so many snares that That Rooster beckons waking no longer. Eyes like eggs in a pan,
storyboard snowglobes of dust farms. is the crease in the canvas or the paint? A blotch called leg,
a blotch called splint. The headdress an imitation, the alphabet derivative. Each keyhole so
vague, I’ll stoop-crouch instead. Those bourgeois windows, brittle & bolted.
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Diorama Carnival
ill with fetish, i
approach.
Compulsions to
impress
wrinkle decrepit as
our Sun hits shield
of stardeath. Nurse Morph misspelt
my name at birth.
The certificate retches me
with weaponized anxiety,
the bounty on our head.
cathexes beat,
recoil, twiddle
our hair frayed in identity schizm.
our theatre
relies on a dandelion theorem-
blow the brains, scatter
the fetus.
quetzalcoatl
pleads me
find the surface, but i’m gone
fishing
for antifreeze, marring
the engine, sulfur, masked
sealed to forbid oxygen.
​
apathy apollo
in my gestures,
weep
says
x
i
say
how
y?
​
airborne tenement
depletion theatre
sheets of victim downpour
portly chalk swearing
our calvinistic ballgag
pleather benefactors
imitation scriptures
pigs at the pork factory
lever-fondling
where number of
toddler classmates
must char upon
prisongrill?
who now?
who tomorrow?
my clever frames
harvest no murals
rather
funeral gong
solemn & circling
slumped gournay
on screwed page
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[lutheran] sanitizer (DEATHWISH)
the
reified past seeps
like dyed wine into
lack.
can i
explain this
to you?
a grape in the mind
rots inside molars.
i keep my nose
to the schism. my cheeks
sink as
reruns chasm.
while we’re on the subject,
repetition is
safe death.
while we’re on the subject,
this museum needs
heat. i want to touch.
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MU
WORSHIP IS THE WAY I RIDE! WITCHING CURRENTS THROUGH THE EYE!
from Beware by Death Grips
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SLACKER ROCK
We make the right enemies: pasteurized gems, ironed jewelry. Robin Hood elates the boogie-boarders with a ribbon cutting, chillout pavement, spare crayons. Lounging herbivores munch sprouts, request less, recognize mutual. Unwinding the backyard, Recklessness & i build spills. To relax is to make amends. To slouch is to forgive arthritis. Booze cruise me to valley jangle. When i sleep big, cremate my palms & sprinkle them on your secret handshake.
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XENON
The Guru’s liver
is Vomit Comet.
We’re chatting sparks when Xe tells me
that infinity’s biography is
extra-sensory.
Hospice fillers glare at our flower crown.
I hum eyes towards gas
station lamps as
an unending holiday beam rivets
me to vastness.
The Guru swing
dances and shoplifts the sugar aisle; Xe calls it
The Lo-Fi Pagan Revival.
At the register, Xe
suffocates Zeus with Xer big toe.
Serendipity’s whirr
pumps our magic carpet skyward &
every quark
in every atom
trumpets antihero.
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A STRANGE GAS UNDER DELPHI
Balance board cruise
on the roof of
hell, a finger swirling
inside cheek, a touch
to chew, a gnaw on
callouses’ day, please
walk my grave like a
dauschaund with
photograph fur, zany,
dynamic in his
ballgown, rolling in
squirrel piss and twigs,
crooked being.
Our bodies, only buzzwords,
scrap metal from
a snap of hunt.
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GALVANISM
goosebumped in
intuition We loop,
sparking with fertility,
each frame
sporing n others,
an untraceable web,
mindful mallet
nails chisel, reverb
of coincidence, pinpoint
heat spewing electric
bodies, helter-skelter
birthing-pool in
pop & fringe, new wave
& no wave, consonance,
dissonance, You touch
id & id touches You, &
ashes ashes We all ribbit
with dao, a spatter
of acrylic with forks
in our sockets.
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SPEAKEASY
Neckcrack is power. Poem
boosts spine, the mixed martial arts
of lethal sumac.
Soil is the transcendent laundry detergent.
Breakthroughs will not
bake in concrete. Unsure is best.
Oblique syntax is the honesty,
innerworld wholly absorbed
only with feet roofward.
Give me battleaxe, nude & fluid.
I’ve met a cursory shadow.
One day, may my lamp
reach Big Precious: my feet’ll
be fingers & those fingers, elation eyes.
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SAKAWA
with cauldron in ladle &
karmic wormhole aflow
tangling your square knots
my hard drive is serrated
cackle edge
i am the become
pressure point howls beneath
invisible thumb, but it’s not
the hangover, the neighborhood,
divorce lawyers.
blood diamonds will clot
as locustplague batters
your ice colosseum to a
waiting room poster where
vacuums buzz on planet backs,
tongue out the stuttering kinks.
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EFFE
A heap of
nodoff ublich, trashes classical
corpsekettle. A nuke arrived
yesterday, a tyranny
anthropological. At the apothecary,
I hopakpray
to Xochipilli: soothe us
with your bike spokes,
your pyrejigg.
He shepherds zusammen,
& my skinbliss goes doppio,
as flocks zap,
rustico & magnetic.
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NO DECALS ON BUDDHANATURE’S SKATEBOARD
Slicing the watchdog, she ripples
egoless chaos.
The chateau has no frame,
revolves the galaxy with its synesthesia
superpowers, the peach
plumbing of worldweight,
the everrattle of jellyfish &
chameleon revelry.
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THE BRAHMIN OF ONE SYLLABLE
nebulous shiva stain spread
carpet from floorboard where dogs
purr & toads buzz. all
children see god in headstand
sightrush. wrestling is a
construct; rational violence is
vain. trophy cases flutter
in immanent succession as
jackhammer flourish returns
as moment. tools of atom,
bullets of molten ant colony,
sphering the axes of Our Eyeball.
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KORU
I want a vascular system to wear on my sleeve.
Veins prone as a portal to cosmos.
We are shapeshifting fruit from a fountain with an attitude.
Uncovered, an animal with eye contact.
In spraypaint glamour, I propose totality enter me.
I pray big canopy happen in my womb.
Tumble cocktails in my sightshaker.
Sunsick & darling.
Subsistence is a factory beehive, a dehydration.
You don’t need blow to be a revolutionary.
You can trust yourself, wizard a hovel to mansion past mansion.
There’s no reason to die rationally.
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De-roof the city & let god bleed pollen upon Xerself Everywhere.
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Algorithms iambic, mere bugs in a shade.
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PJ Lombardo
Sakawa
PJ Lombardo is a writer from Sussex County, New Jersey. He wrote his first poem in the bathroom of his middle school. Enjoy.